[ 熊琦 ]——(2013-3-13) / 已阅11007次

注释:
[1]Robert P． Merges． Compulsory Licensing vs． the Three "Golden Oldies": Property Rights． Contracts． and Markets． Policy Analysis[J]． 2004，( 508) : 1 － 15．
[2]国家版权局． 关于《中华人民共和国著作权法》( 修改草案) 的简要说明[R]． 2012 －03 －30．
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[4]Finkelstein． ASCAP as an Example of the Clearing House System in Operation． Bull． Copyright Soc’y[J]． 1966，( 14) : 2 －17．
[5]Molly Shaffer Van Houweling． Author Autonomy and Atomism in Copyright Law． Virginia L． Rev． [J]． 2010，( 96) : 549 －642．
[6]Marybeth Peters． Reforming Section 115 of the Copyright Act for the Digital Age． Statement before The Subcommittee on Courts．the Internet． and Intellectual Property of the Committee on The Judiciary House of Representatives． 110th Congress． 1st Session [R]．2007．
[7]White － Smith Music Publishing Co． v． Apollo Co． U． S． 1908，( 209) : 1 －11．
[8]Herbert v． Shanley 242 U． S． 1917: 591 －593．
[9]Catherine L． Fisk． Authors at Work: The Origins of the Work － for － Hire Doctrine． Yale J． L ＆ Human[J]． 2003，( 15) : 1 －70．
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[11]ASCAP Experimental License Agreement for Interactive Services ( ver． 2． 1) ． ASCAP Experimental License Agreement for Non－ Interactive Services ( ver． 5． 1) ． [S]．
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[17]Molly Shaffer Van Houweling． Author Autonomy and Atomism in Copyright Law． Virginia L． Rev． [J]． 2010，( 96) : 549 －
642．
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[19]Lawrence Lessig． Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity
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[22]Lionel S． Sobel． The Music Business and The Sherman Act: An Analysis of The“Economic Realities”of Blanket Licensing．
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[24]Daniel Gervais ed． Collective Management of Copyright and Related Rights[M]． New York: Kluwer Law International． 2010．
[25]熊琦． 著作权集中许可机制的正当性与立法完善[J]． 法学，2011，( 8) : 101 －110．
[26]徐词． 我就要来保护你: 著作权法修改草案陷入争议漩涡[N]． 南方周末，2012 －04 －19 ( D22) ．



出处:法律科学 2013年第1期

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